Showing posts with label Gosling. Show all posts
Showing posts with label Gosling. Show all posts

Sunday, January 10, 2016

Corey's Top 10 Movie Flicks of 2015


10. Best of Enemies

In the midst of the amorphous blend of politics and reality television that has - and will continue to - engulf the 2016 US presidential race, Morgan Neville and Robert Gordon's look at ABC's revolutionary debates between conservative William F. Buckley and liberal Gore Vidal is an eye-opening reminder of the staying power of sensational politics. 


9. Black Panthers: Vanguard of the Revolution

Another all-too unsettling reminder of cyclical history, Stanley Nelson Jr.'s documentary of the rise and fall of the much-aligned but mostly misunderstood (and violently broken) Black Panther movement that gripped America in the 1960s is electric, angry and honest. Worth watching, if only for the fascinating parallels to today's Black Lives Matter movement.


8. Spotlight

Instantly (and rightfully) heralded as this generation's All The President's Men, Tom McCarthy's journalistic procedural of the Boston Globe's 2001 explosive expose on the Catholic Church's cover-up and complacence of an epidemic of sexual abuse slow-burns its righteous and contemplative energy and offers up tremendous ensemble acting. Yes, Spotlight is critically adored and important, but it is also demanding of our philosophical curiosity and attention. 


7. The Big Short

Adam McKay has always been willing to infuse his absurd comedies with sly political commentary, but with The Big Short, he finally lets his finely sharpened political claws draw blood. A furious and very funny indictment of the financial institutions, regulators, snake-oil salesmen and greed-mongers that nearly took down the world economy with shit-laden securities, McKay and Co's unorthodox film about the unorthodox men that saw through the finance world's pre-2008 parade of delusion is a surprisingly crackerjack entertainment. Memorable, fuming performances from Steve Carell and Ryan Gosling. 


6. Phoenix

In this year's most measured, complex and controlled performance, Nina Hoss commands the screen as a unrecognizable survivor of the Nazi death machine in German director Christian Petzold's wonderful World War II drama, Phoenix. A story of confused identities, allegiances and emotions, this deceptively simple, yet emotionally lush and gripping movie builds to a jaw-dropping climax that you will not see coming. 


5. Amy

With Amy, Asif Kapadia establishes himself as a bonafide documentary auteur, with a style all his own (that utilizes archival footage and voiceover) and a keen eye for what makes us all so tragically human. This, the best documentary I saw in 2015, is a brutally raw exploration of the demons that powered Ms. Winehouse's voice and songwriting, and ultimately led to her untimely demise. Having plumbed the depths of every frame of video and every paparazzi's flash, Kapadia finds the moments that endear us to the lost singer; the passions and convictions we never knew, or perhaps, never thought to notice. 


4. Anomalisa

The word "meticulous" gets bandied about by the film world often when describing particularly well-made films. But there is no other film - animated or live-action - from 2015 that deserves such a descriptor like Charlie Kaufman and Duke Johnson's stunning Anomalisa. The exceptionally slow art of stop-motion animation and detailed facial and kinetic puppetry bring to life the simple story of a depressed author's serendipitous encounter with a woman, unsparing in its wealth of real, raw emotion. There has not been (and perhaps will not ever be) a more beautifully awkward sex scene in an animated movie. 


3. Sicario

Easily the most ulcer-inducing movie experience of the year was thanks to Denis Villeneuve's Sicario, a thoughtful, beautifully rendered suspense flick. Villeneuve, a good Canadian boy whose careful, (*ahem*) meticulous film craft has catapulted him to the top tier of directors specializing in mature, R-rated fare - he will soon do Blade Runner 2. In this one, Emily Blunt is dragged into a classified mission to take down a powerful Mexican drug cartel, or is she? A ripping flick complete with powerful, expertly designed set pieces and a stellar turn from a near-wordless Benicio Del Toro.


2. Ex-Machina

28 Days Later scribe Alex Garland's first foray into directing is a mind-bender of the highest order; a science fiction that blends real anxieties about artificial intelligence, the evolution of our symbiosis with machines and the sexual allure of it all. Alicia Vikander puts in dominant, captivaing work as an android whose mad genius creator (Oscar Isaac) sets her up as a test subject for Domnhall Gleeson's wide-eyed programmer. Unexpectedly intelligent in the best ways possible, Ex-Machina signals the arrival of a badly needed voice in the world of original, ambitious cinema. 


1. Mad Max: Fury Road

The most pure, thrilling, enjoyable cinematic experience of the year, George Miller's magnum opus is the best action flick of this century so far. Adrenaline pumps like nitrous oxide through my veins as I watch this movie. It is complete sensory nirvana as George Miller fills every frame with colour, dirt, grime, fire and the roar of machines coming directly at us. We even give a crap about the plight of our heroes, played with assured, confident badassery by an unstoppable Charlize Theron and a primitive Tom Hardy. Singular images and moments from this movie are so original and crazy but make total sense given the dirty, post-apocalyptic universe; every detail is grounded by sound creative logic. Please: Hollywood and Mr. Miller, make more of this. Thanks.

Wednesday, August 22, 2012

CAC's TIFF 2012 Preview: Top 10 Picks


Hello CAC on Film readers and fellow TIFF goers. It's that time of year yet again in which Torontonians, industry-types and movie fanatics from around the world begin their descent into Hogtown for arguably the biggest publicly accessible film festival on the planet. So amidst the general feelings of overwhelming excitement, anxiety and anticipation for the Toronto International Film Festival and the massive amounts of data we have to sift through to plan our respective festival schedules, I give you my personal top 10 picks of TIFF 2012.

As usual, this year is jam packed with highly anticipated prestige studio films, small, challenging indies and passionate, provocative pictures from the world over, so hopefully you'll find a flick or two from this list that might poke at the part of your brain that contains your inner film buff.





Special Presentation
Dir. Terrence Malick

Monday September 10 Princess of Wales 7:00 PM (Premium)
Tuesday September 11 Princess of Wales 3:00 PM
Sunday September 16 TIFF Bell Lightbox 1 9:45 PM

Master American director Terrence Malick’s second completed picture in the last few years has been shrouded in secrecy since news broke of its production after the release of 2011’s Palme D’or winning, Oscar nominated Tree of Life. What we know about To the Wonder is that it is a romantic drama starring Ben Affleck, Olga Kurylenko and Rachel McAdams. Not much else is known plot-wise, but one thing we know we can count on is a visually arresting, challenging and provocative experience. Tops of my personal picks for this year’s TIFF because Tree of Life made me cry. It was the first film to do so since 1996’s Jack.

 


Special Presentation
Dir. Paul Thomas Anderson

Friday September 7 Princess of Wales - 9:00 PM (Premium)
Saturday September 8 Lightbox 1 - 3:15 PM
Sunday September 16  Lightbox 1 - 6:00 PM

A film that has been engulfed in a sort of curious controversy since it was branded as cinema wunderkind P.T Anderson’s “Scientology film”, for me, this could potentially be one of the most revelatory experiences at TIFF 2012. Presented in 70mm, early buzz has been intensifying, centered mostly around the raves for Joaquin Phoenix’s comeback performance and the gorgeous cinematography.



Midnight Madness
Dir. Martin McDonagh

Friday September 7 Ryerson Theatre 11:59 PM (Premium)
Saturday September 8 Scotiabank 1 3:30 PM

I love Colin Farrell, but he brings me down sometimes. Tigerland cemented his place in my book of extremely talented acting people, but Colin: Alexander, Miami Vice, now Total Recall? Come on man. Well back in 2009 he layed down his best performance in years, starring in In Bruges, Irish playwright-turned-filmmaker Martin McDonagh’s first feature film. Here he reunites with McDonagh, along with Christopher Walken, Woody Harrelson, Tom Waits and other badasses which, playing in Colin Geddes’ Midnight Madness program, should be another rollicking, vulgar and violent ride.



TIFF Docs
Dir. Ken Burns, Sarah Burns, David McMahon

Sunday September 9 TIFF Bell Lightbox 1 11:45 AM
Thursday September 13 Cineplex Yonge & Dundas 7 9:30 PM
Saturday September 15 TIFF Bell Lightbox 1 9:15 AM

Legendary Documentary filmmaker Ken Burns’ return to more concise fare from his lengthy, multi-part PBS mega-specials, The Central Park Five looks to represent the best of Burns’ oeuvre: incisive, provocative, and heavily concerned with the evolution of American race relations. Chronicling the “Central Park Jogger”  rape case of the late eighties, this saga of litigation and an outraged public garnered very positive word out of Cannes. My top TIFF Doc pick this year



Special Presentation
Dir. Derek Cianfrance

Friday September 7 Princess of Wales 6:00 PM (Premium)
Saturday September 8 Ryerson Theatre 11:00 AM

Blue Valentine director Derek Cianfrance’s sophomore feature The Place Beyond the Pines boasts a stunning cast in the form of Bradley Cooper, Eva Mendes, Rose Byrne and lead Ryan Gosling, and promises to be a taut, unforgiving drama. Gosling plays Luke, a motorcycle stunt rider from Schenectady, NY (his second stuntman/criminal role TIFF premiere in two years with last year’s Drive) who falls into some criminal business and attracts the ire of Bradley Cooper’s cop-turned-politician. Said to be something of a cross between Godfather and The Deer Hunter, if all the elements work well here, we could see potential awards buzz and a nice push for a strong box office take.



Special Presentation
Dir. Pablo Larrain

Monday September 10 TIFF Bell Lightbox 1 6:00 PM
Tuesday September 11 The Bloor Hot Docs Cinema 3:00 PM

Chilean director Pablo Larrain returns to TIFF to complete his trilogy of films chronicling life, death and hardship in dictator Augusto Pinochet’s reign of Chile. The first film of the cycle, Tony Manero, was a relentlessly intense, downbeat and horrifically violent look at the dreams of Pinochet’s poor amidst military dictatorship. This film, led by the always interesting Gael Garcia Bernal (Y Tu Mama Tambien, Bad Education, Babel) explores the downfall of Pinochet and the political atmosphere that toppled his government. Early buzz says the film, shot on analog videotape to mimic the visual aesthetic of late 1980s television, is a suspenseful, thought-provoking winner.



Special Presentation 
Dir. Thomas Vinterberg

Monday September 10 TIFF Bell Lightbox 1 9:15 PM
Wednesday September 12 TIFF Bell Lightbox 2 3:00 PM

Mads Mikkelsen (Casino Royale, Valhalla Rising) won the best actor award at this year’s Cannes Film Festival for his portrait of an innocent man accused of child molestation in Thomas Vinterberg’s (The Celebration) return to the festival circuit. The film comes to TIFF with a fair amount of hype given reviewers’ raves for Vinterberg’s “powerful” and “controversial” direction. Sure to be a conversation starter, this looks to be one of the stronger contenders for breakout foreign-arthouse pic at this year’s festival.



Gala Presentation
Dir. Ben Affleck
 
Friday September 7 Roy Thomson Hall 6:30 PM (Premium)
Saturday September 8 Visa Screening Room (Elgin) 11:00 AM
Saturday September 15 Visa Screening Room (Elgin) 3:00 PM

Ben Affleck continues his creative ascent in the second stage of his career, stepping behind the camera for the third time for his first period film, a historical thriller that recreates the mostly untold, but generally known tale of the Iran Hostage Crisis of 1979. Affleck takes the lead role as CIA “exfiltration” expert Tony Mendez, top-lining a stellar cast that includes Breaking Bad’s Bryan Cranston, John Goodman, Kyle Chandler and Alan Arkin.  Affleck took The Town to TIFF 2011 and received nearly unanimous critical praise, giving a substantial boost to that film’s awards buzz and box office take. Surely Warner Brothers hopes this film continues that tradition.



Contemporary World Cinema
Dir. Marc-Henri Wajnberg
 
Thursday September 6 TIFF Bell Lightbox 3 7:15 PM
Friday September 7 Cineplex Yonge & Dundas 9 3:00 PM
Sunday September 16 Cineplex Yonge & Dundas 3 6:00 PM

A pick by TIFF artistic director Cameron Bailey, this is one of those films that swims deep under the radar of the mainstream festival populace, but has the potential to be one of the most joyous, entertaining films screened this year. Kinshasa Kids is a verite-styled tale about a group of Congolese street kids that discover music as a means of escaping the violent paranoia of Kinshasians obsessed with purging the “child witches” from their city. The trailer (http://bit.ly/P4KsqO) paints a startlingly real, gritty and kind of funky picture of these kids’ lives in Kinshasa. Certainly one of the more intriguing films screening at TIFF 2012.


  
Contemporary World Cinema
Dir. Dror Sabo

Sunday September 9 Scotiabank 3 9:30 PM
Tuesday September 11 Jackman Hall (AGO) 4:00 PM
Sunday September 16 Scotiabank 4 9:30 PM 

This year TIFF has joined up with the University of Toronto’s Munk Centre for Global Affairs to offer extended Q&A sessions for five films in the Contemporary World Cinema program with world renowned speakers and experts. Dror Sabo’s Eagles is the story of two elderly, formerly elite Israeli army soldiers who decide to take the law into their own hands after becoming increasingly alienated by the state of affairs on the crime ridden streets of Tel Aviv. Ron Levi, an expert on global justice and human rights will lead the extended Q&A after the film, which promises to be a poignant, hard-edged look at elderly war veterans in an increasingly youth-focused world.