10. Evil Dead
Easily
the most technically impressive horror film of the year, Director Fede
Alvarez orchestrates a sumptuous symphony of gore and with his
Raimi-approved reimagining of the classic low budget scarefest. Jane
Levy delivers an uncompromisingly brutal, memorable performance as the
heroin junkie turned Necronomicon-inhabited demon girl. Definitely for
those of us who enjoy sitting in the dark and watching young people get
shot with nail guns.
9. 12 O’Clock Boys
Sold
as “The Wire with Wheelies”, young director Lotfy Nathan’s first
feature documentary is a visually sublime, testosterone-laden look at
what constitutes modern escape for poor black youth in America. Embedded
within a Baltimore urban dirt bike gang, Nathan follows the formative
years of Pug, a suave 13-year-old who lusts for greatness and the chance
to fly - with one wheel high in the sky - among the legends of the
street. A chase film with actual human poignancy.
8. Stories We Tell
We
knew before “Stories we Tell” that Sarah Polley is a national treasure.
But here, in her most (literally) introspective film yet, Polley
constructs the tragic, salacious, fascinating fabric of her family’s
history with an almost emotionally forensic focus. With this, her first
documentary, Polley establishes herself as a wholly Canadian
storyteller: vulnerable, yet determined; grounded, yet self-analytical.
7. Dallas Buyers Club
Who
knew Quebec’s Jean-Marc Vallee finally would make his mark with this,
an AIDS drama starring a never-better Matthew McConaughey as Ron
Woodruff, a hard-drinking, fightin’, womanizin’ HIV-positive cowboy.
Co-starring Jared Leto in easily the best supporting performance of the
year as the transsexual addict Rayon, Vallee has constructed an
air-tight, hardened but emotionally-affecting story out of a man’s
journey from self-interested destruction, to selfless enlightenment.
6. Gravity
The
best directed special effects spectacle of the year, Alfonso Cuaron and
his brilliant crew have truly cemented their names in the annals of
cinematic wizardry. An intimate tale of survival told on the broadest
scale imaginable, Cuaron still manages to find a beating, human heart
amongst the debris of a wrecked space station in the form of Sandra
Bullock, who, in likely her most arduous and compelling role to date, is
the real source of seat-gripping suspense up on that IMAX screen. Those
with self-admitted iron nerves should apply within.
5. The Act of Killing
A
surreal and almost unbelievable piece of documentary filmmaking, Joshua
Oppenheimer’s “The Act of Killing” is an unflinching, strangely
enjoyable look inside the minds of murderers. Following the lives of
former Indonesian death squad leaders as they attempt to stage
hollywood-style re-enactments of their past atrocities, Oppenheimer has
delivered a film that defies categorization. A must-see for those
looking for a breathtakingly challenging view of what constitutes truth
in non-fiction filmmaking.
Steve
McQueen’s adaptation of Solomon Northup’s hellish odyssey into slavery
is simultaneously one of the most powerful and artful films in recent
memory. With a stellar cast anchored by an absolutely perfect Chiwetel
Ejiofor, sumptuous cinematography and an at times
intensely shocking brutality, McQueen has created a searingly memorable
work that will live on as an important, but sublime slave drama.
3. American Hustle
2. Her
The
most romantically melancholic and aesthetically fascinating slice of
science fiction in recent memory, Spike Jonze further cements his auteur
status with “Her”, easily his most assured, but mature film yet.
Featuring another impressive leading performance from Joaquin Phoenix
that is reserved but wholly lovable, this is not just a quirky love
story between a man and his operating system, but also an intelligent
comment on the fragility of the human heart and the need for connection,
regardless of physical form.
1. Upstream Color
Shane Carruth’s follow up to the outstanding but uncompromisingly difficult “Primer” is yet another high-minded philosophical odyssey, this time of literally the most organic kind. I cannot remember any other film this year that was as simultaneously cerebral, gorgeous and narratively complex. The plot, involving two lost souls trying to put their lives back together after having been maliciously hypnotized by a criminal using a mind controlling parasite, is - on paper - among the most confounding, but resolves itself in a thrillingly cyclical and satisfying confusion. Great films are thought provoking, but astounding, scintillatingly original films like “Upstream Color” are a reminder that once in a while, movies have the power to change the way we think.
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